"Howards End is permeated by a feeling of revulsion towards the unpleasant, gritty realities of urban life, the unsightly decay and squalor of the city. Forster establishes strong contrasts between 'City' and 'Country' early in the novel when he draws the distinction between 'England' and 'Suburbia' as different countries, and when he comments of Margaret Schlegel:..,."
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"Like many others who have long lived in a great capital, she had strong feelings about the various [London] railway termini. They are out gates to the glorious and the unknown. Through them we pass out into adventure and sunshine, to them, alas! we return. (Howards End, p. 12)"
"By the time of Howards End's publication in 1910, the progression of urbanisation and industrialisation across Britain had brought huge social change. Between 1870 and 1911 some 250,000 acres in Great Britain went out of cereal production, and during these years of agricultural depression many labourers moved into the cities or emigrated from the country altogether. Helen Schlegel remarks, 'London's creeping', with reference to the gradual encroachment of the suburbs upon the country estates, farm land and green pastures of England. Margaret 'knew that her sister spoke truly', and reflects that 'the melting-pot was being prepared for them' (Howards End, p. 355). Forster faces the problem of urbanisation head-on in his essay 'The Challenge of Our Time', published in Two Cheers for Democracy in 1951. He acknowledges the necessity of tearing down the slums and re-housing their inhabitants, but he also expresses a deeply felt concern with regards to the destruction of his 'England' caused by the encroaching developments. 'I cannot,' he concludes, 'equate the problem. It is a collision of loyalties.'..."
"This idea of flux, of change and of shapelessness, is inextricably linked with the historical fact of the shifting masses. The working classes live in those 'modern dwelling-place[s] that strike a shallow makeshift note', since they have been 'too easily gained, and could be relinquished too easily' (Howards End, p. 50). Their movements - for example, those of the Basts, who 'had just been evicted for not paying their rent, and had wandered no one knew whither' - contribute largely to the 'nomadic civilisation' of which Forster despairs (Howards End, pp. 272-73)...."
"Then Margaret spoke rather seriously. 'I think,' she said, that our race is degenerating. We cannot even settle this little thing; what will it be like when we have to settle a big one?' (Howards End, p. 165)..."
Not city, not suburbia, my little garden, designed Pastoralism, saves my soul.
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Walking my garden yesterday morning, pics above, I hear conversation between Leonard Bast & Helen Schlegel from Howard's end. E.M. Forster is smiling.
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Why garden? This is my answer.
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Intuitively, all of the above, & more, is deeply felt. Yet, a choice for joy is made, new, each day.
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When I am told, "Not every one can be happy like you.", I smile and think, "You haven't got a clue."
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Quotes from, here.
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For a beautiful garden & home filling you with joy, become my client, local/on-line.
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Award winning speaker, hire me for your group, local/out-of-state.
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Books by Tara Dillard, Amazon
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Tara Dillard & Associates Design: farm to city pied-a-terre.
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Construction by Award Winning:
Shaefer Heard Construction, licensed home-builder, renovation - new construction. Heard's Landscaping a unit of SHC. 3 decades of service.
